What it’s really like

It’s a Saturday morning in June in Northern California. A brief hot spell has generously given way to the gorgeous, low 70’s blue sky I see outside my window. The lawn is drinking the water I set out after mowing it this morning. It’s 9:20am.

Before me rests the 225,000 word manuscript that is System Seven. Pandora radio is streaming my ambient station. Haunting flutes, deep congo drums, and synthesizers paint tension and drama on the canvas of the family room where I write. A tall glass of iced water sits within reach. I’m settled, ready to be the writer.

In revision, which is where I’m at now with the script, every paragraph, every sentence is subject to the prodding and testing necessary to achieve a few things: a.) plot accuracy, b.) story continuity, c.) relevancy, and d.) brevity. Since I’m revising certain premises, the testing for A and B are all important, literally like heart surgery for the story. C and D are also important for the overall health of the script and to improve readability.

What revision feels like varies from moment to moment, hour to hour, etc. The tides of this human’s emotions tend to rise and fall and my desire to finish this script is the boat and oars of the revision process. There are moments when I almost literally crash into the words of a sentence, like hitting a wall, and my resolve shatters, the imagery breaks apart, and I’m left staring at a field of pixels on an advanced Lite Brite screen. My inner self gets out of the chair and walks away. So I step back, take a breath, look at the paragraph, reposition myself in the story, re-ignite the fire of imagination, light the scene, and begin prodding and testing again. It is like digging a ditch.